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Metropolis, the classic 1927 Fritz Lang German silent anti-fascism science fiction (sci-fi) robot fantasy dystopian future thriller ("The screen sensation of the age!"; "The wonder city of the future"; "Adapted by Channing Pollock"; based on the novel by Thea von Harbou; set designs by Edgar Ulmer; about an ultra-depressing world of the future where the rich people live in cities in the clouds, and the poor people toil away endlessly underground; a female populous leader arises and a mad scientist makes an android robot duplicate of her to ruin her work; a brilliant movie, light years ahead of its time, and movie makers are still stealing from it!) starring Brigitte Helm (in a dual role as Maria, the female leader of the workers, and as the android [gynoid] "Maschinenmensch"), Gustav Frohlich (as Freder), Alfred Abel (as Joh Frederson), Rudolf Klein-Rogge (as Rotwang the Inventor), Theodor Loos (as Josaphat), Fritz Rasp (as the Thin Man), Heinrich George, and Margarete Lanner. Note that there is a fascinating story behind this movie being imported to the U.S. in 1927, that we did not learn until 2023, when we noticed the "Adapted by Channing Pollock" on the first U.S. herald we auctioned, and Internet research (NOT on the IMDb) revealed this: Fritz Lang's version of this movie at the premiere was 153 minutes, and Paramount was unwilling to release such a long movie in the U.S. So they hired playwright Channing Pollock to shorten the movie to a more "reasonable" length, around 2 hours. What Pollock did was to essentially drastically change the entire movie, by shortening it to 115 minutes, and changing all of the inter-titles to ones he wrote! Among the changes he made was that the man who made the robot (Rotwang) had made it in the image of the love of his life, named "Hel", who had run off with another man. Pollock did not want to use the name "Hel", because of its similarity to "Hell", but instead of just changing it, he eliminated all references to the robot having a name, or to the reason why Rotwang built it! He made a number of other major changes to the movie. When Fritz Lang heard what had been done, he said "I love films, so I shall never go to America"! The movie was somewhat restored to its original version in 1984, when the Giorgio Moroder score was added, and has since been completely restored to its original version!
NOTE: Click on linked names to see a biography.

Important Added Info: Note that stills from the first U.S. release of this movie are not as rare as the original German lobby cards, but they are still rare. Note that this still was consigned to us by legendary collector/dealer Marty Davis! Marty was hired in 1972 to evaluate the entire collection of W. Ward Marsh (1893-1971), who was the film critic for the Cleveland Plain Dealer newspaper from 1919, until his retirement in 1970. In 1919 Marsh wrote his first of 23,000 movie reviews for the Plain Dealer. Marsh died less than a year after his retirement in 1970. His library, and photographic and memorabilia archives were given to the proprietor of Cleveland's finest bookstore. Marty Davis was the first person with a background in film history and collectibles to examine the archives. He worked for three to four hours a day, for six months, and his compensation was his pick of the archives. This still is from the W. Ward Marsh archives, and it was stamped on the back by Marty Davis to indicate that it came from this legendary collection. Also note that this still has been trimmed and it now measures 7 3/4" x 9 3/4" [20 x 25 cm].

UPDATED 08/12/2018: Note that a knowledgeable collector tells us that the scene shown on this still was rediscovered in 2008 when a film reel was found in a museum in Buenos Aires, Argentina. The missing scenes found on the film reel were re-added to a 2010 BluRay release of the film.

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