eMoviePoster.comAuction History Result 9h051 EDWARD G. ROBINSON camera original 8x10 negative 1940s close portrait in suit & tie! Date Sold 9/29/2019Sold For: Login or Register to see sold price. A Photographic Negative (measures 8" x 10" [20 x 25 cm]) (Learn More) Edward G. Robinson was born Emmanuel Goldenberg in Romania in 1892, and his parents took him to the U.S. in 1902. He was a small man, but possessed a gigantic talent! He was a stage actor in the 1910s and 1920s, but when sound came to movies Hollywood turned to Broadway to find talent who could talk, and he made his debut (after two minor roles) in The Hole in the Wall, starring opposite future major star Claudette Colbert, in her second movie. Seven movies later, he starred as Cesare Bandello (Rico) in Little Caesar, and it not only made him a major star, it also ushered in the great gangster movies of the 1930s. It also typecast him, and he made mostly gangster movies in the 1930s and 1940s, sometimes comedies or parodies of his classic image. In 1944 he made the incredibly wise decision to accept third billing in Billy Wilder's film noir Double Indemnity, and he and the movie were wonderful. That same year he also memorably starred in Fritz Lang's uber-depressing masterpiece, The Woman in the Window, and the following year he and Lang virtually remade that movie as Scarlet Street (although the two movies come from different source novels). He settled into character roles in major movies and lead roles in minor ones, greatly enriching such movies as The Stranger, Key Largo, and many more. He was caught up in the HUAAC hearings, and though he wasn't blacklisted, he spent a year on Broadway in plays. As he grew older he continued to enrich lots of movies in character roles, including his great performance as master poker player Lancey Howard in The Cincinnati Kid (opposite Steve McQueen), and as Sol Roth in Soylent Green (opposite Charlton Heston). In real life he was a quiet, retiring man, nothing at all like his onscreen persona of a brash tough man brandishing a cigar like a weapon. He was a lifelong collector, and one of the first in Hollywood to collect fine art, and he accumulated a collection worth millions of dollars. The ultimate proof of just how flawed to Motion Picture Academy's methods were over the years is that not only did Edward G. never win an Oscar, he never even was NOMINATED for an Oscar, and yet he gave some of the finest movie performances over, over a span of over 40 years! He passed away in 1973 at the age of 79. Important Added Info: Note that this is a negative that was in the camera when the photographer shot the photo. We have put a scan of the negative that shows the "positive image" (in addition to a scan of the negative image). REMEMBER THAT WHAT YOU RECEIVE WILL BE A PHOTOGRAPHIC NEGATIVE, NOT A POSITIVE IMAGE LIKE YOU ARE SEEING. However, we will provide the winning bidder of this auction that positive image scan that is both high quality and not watermarked (on request to the winning bidder, and only the winning bidder). We scanned it, so that bidders could see just how high quality it is. It came in a glassine bag envelope and will be sent to the winner of the auction in that. These often (but not always) have retouching on the emulsion side, and negative numbers written in India ink on the front. Depending on the studio some 8x10 negatives may be trimmed or have numbers or information embedded into the sides of the negative. Many smaller format camera original negatives do not have retouching on them or numbers due to their smaller size. 8x10, 5x7 and 4x5 negatives were primarily the sizes used in the 1920s through the 1940s. 2 1/4" Rollei negatives and 35mm negatives became an industry standard in the 1950s and beyond until the digital revolution in the late 1990s and early 2000s. This is a very special auction of 366 extremely rare negatives and transparencies of various sizes, and also lots of sets of 35mm slides. EVERY single item in this auction is either "studio issued" (meaning it was created by the studio and sent to theaters and movie outlets), OR it is a "camera original" (meaning it was the actual negative that was in the camera when the photographer took the picture). Every auction clearly identifies which they are, and there are no items being auctioned that are not either "studio issue" or "camera originals". We have divided them by type and size. Also note that this auction is for one or more negatives, and every one of the auctions of negatives we are currently running have been scanned expertly. This auction contains the scan(s) of the negatives in this auction, and they have been scanned so that you see a "positive" image (and we have added an "eMoviePoster.com" watermark over it), but the auction is for the actual negative. The winner of this auction and ONLY the winner of this auction will also, upon request, be sent the UNWATERMARKED positive scan(s) of the negative(s) in this auction, which will both save them the time and expense of creating a positive scan themselves, and also allow them to make positive prints of the items they purchased from that scan, if they desire. Condition: very good. Learn More about condition grades
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