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Nana, the 1934 Dorothy Arzner & George Fitzmaurice romantic melodrama ("Passion Flower of New Russia!"; "Idol of Europe...and actress of transcendent beauty and captivation allure! A breathless world -- after two years of waiting -- now beholds her first American appearance -- as Zola's voluptuous daughter of the pavements!"; "A bright New Star from Red Russia shooting Westward to kindle the American Screen with a new Fire!"; based on the novel by Emile Zola) starring Anna Sten (in the title role as Nana), Lionel Atwill, Richard Bennett, Mae Clarke, Phillips Holmes, Muriel Kirkland, and Lucille Ball (in a bit part). Note that Phillips Holmes had made an impression in some movies in the late 1920s. In 1931, he would get the lead in the first version of "An American Tragedy", which made it seem like he would become a major star, but that didn't materialize. He had a major affair with Libby Holman, but that was certainly complicated, and when they broke up, she immediately married his brother! Oddly, years later, Holman would have another very complicated affair with Montgomery Clift, who played the same part in the remake of "An American Tragedy", retitled "A Place in the Sun". Sadly, Holmes died in a plane crash in 1942. I am very surprised no one has made a movie about his life, or a joint movie about him and Libby Holman! Like most of director Arzner's movies, this one dealt with a very independent woman who "goes her own way" in life! Also note that Dorothy Arzner was a director from the 1920s to the 1940s, and she was the only woman director during the "Golden Age" of Hollywood ('20s to '40s) and she was the first woman to join the Directors Guild of America. Arzner was a lesbian at a time when almost no females openly were, and she was surprisingly open about it, often dressing in "men's clothes" and wearing her hair short. She made many "women's movies" and movies with a "feminist" theme. After making "First Comes Courage" in 1943, she made training films for the U.S. Army WACs, and she never returned to making Hollywood movies, becoming a film teacher of directing and screenwriting, teaching at UCLA until her passing in 1979.
NOTE: Click on linked names to see a biography.

Important Added Info: Note that this is the Grosset & Dunlap photoplay edition of this novel in its original dust jacket. This book has the original dust jacket. Here are more details about these books: Grosset & Dunlap was a publisher that made a deal with all the studios in the 1910s to publish "movie edition" hardcovers of novels that were currently adapted into movies (there were also some by other publishers, but Grosset & Dunlap printed the lion's share of these). They would republish the original novel as the movie came out (or soon after), and they would put a dust jacket on the book that showed the stars of the movie, and they would usually include several pages of images from the movie scattered in the book. Oddly, in the case of this movie edition, they did not include any images from the movie within the book, but the stars' images are on the cover of the dust jacket, and a photo montage on the inside front and back covers. Perhaps it was published before the movie even was ready, so they did not have access to images from the film. These books were incredibly popular in the 1920s and 1930s, and they are quite collectible, especially if they still have the original dust jacket! Note that we have pictured the front cover, the title page, and the interior page that shows the publishing information, and one or more interior 2-page spreads. Because we know that the dust jacket is an important part of the value of this book, we also pictured the entire dust jacket opened up. Between that image and our other images, you should be able to get a good sense of the overall condition of this book.

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