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Conrad Veidt was born Hans Walter Conrad Weidt in Potsdam, Germany in 1893. In 1916, when he was 23 and movies were in their infancy, he appeared in his first movie, and within a dozen movies he had worked his way up to leading parts. In 1919 Veidt starred in Anders als die Andern (Different From the Others), as a gay violin teacher who falls in love with one of his students. It is believed to be the very first movie with a sympathetic view of homosexuality. The following year Veidt starred in director Robert Wiene's The Cabinet of Dr. Caligari, as Cesare, the somnabulist, and it made him a major international star. The movie is quite powerful, and Veidt is excellent, and I recommend it to everyone. In all he made over 100 movies, the majority of which were made in Germany, and other notable roles he played were in the German Das Wachsfigurenkabinett (Waxworks) in 1924, and in the U.S. The Man Who Laughs in 1928, both for master director Paul Leni (who had moved to the U.S. in 1927). It is said that Veidt and Leni were set to star in Universal's next big budget horror film, Dracula, in 1929, but Leni died that year, and two years later the movie was made with Tod Browning and Bela Lugosi, and one can't help but wonder what that Leni/Veidt version might have been like! In 1933, Veidt, who had been strongly against Hitler and Nazism, married a Jewish lady (his third marriage) and left Germany for England, where he starred in Jew Suss, a biography of a famous German Jewish financier (in 1940 Hitler would have a violently anti-Semitic version of this movie made). He also contributed heavily to the British war effort. Veidt stayed in England and among others, made three movies with director Michael Powell, most notably as Jaffar in The Thief of Bagdad, surely among the handful of greatest movie villains ever! Soon after Veidt moved to the U.S. and he made a handful of movies there, but one of them was as Major Strasser in Casablanca, and although he had a secondary role, he was not under contract to Warner Bros, and he was paid more than anyone else, twice as much as Bogart was paid! Sadly, the following year, in 1943, he died while playing golf in Los Angeles. He was just 50 years old, and he surely would have played several more very memorable roles.

Important Added Info: Note that in the 1920s and 1930s in Germany, it became a common practice to pass out 3 1/2" x 5 1/2" "Ross postcards" to the people who attended a movie. These were postcards that people could send through the mail (each had a picture of one of the movie's stars on it, and standard postcard markings on the other side). But these were also sent to theaters where the stars would make personal appearances, and members of the audience would get the stars to autograph them if they could, but of course, the cards themselves did not come autographed! Sometimes the theaters would use a special "Das Programm Von Heute" that had a blank area on the cover, where they would cut four slits in the upper left and have the "Ross postcards" inserted into that area, so that the audience members would get the program and the card together! We imagine that theaters hoped that audience members would mail the postcards after they saw the movie to friends, telling them how much they enjoyed it, thus creating advertising for the movie. These are often called "Ross autograph cards" by collectors, because moviegoers sometimes obtained autographs on them. Ross postcards are quite collectible, signed or unsigned, but of course, they are worth far more signed. They are often quite rare, because most German paper of all kinds from before World War II was destroyed during the war, due to the massive paper shortages there at that time.

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