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CREATURE FROM THE BLACK LAGOON CREATURE FROM THE BLACK LAGOON 1sh OR search current auctions Auction History Result 2z059 CREATURE FROM THE BLACK LAGOON 1sh '54 classic art of monster & sexy Julie Adams underwater! Date Sold 12/8/2016 Sold For: Login or Register to see sold price. An Original Vintage Theatrical Folded One-Sheet Movie Poster (1sh; measures 27" x 41" [69 x 104 cm]) (Learn More) Creature from the Black Lagoon, the classic 1954 Jack Arnold Universal 3-D (3D; 3-Dimension) science fiction (sci-fi) monster horror thriller ("Sheer, stark terror grips you in underwater... 3-D"; "Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey!"; "Centuries of passion pent up in his savage heart!"; "Amazing! Startling! Shocking!"; "Monster from a million years ago!"; "Clawing Monster From A Lost Age strikes from the Amazon's forbidden depths!"; "Thrills beyond compare in... 3D") starring Richard Carlson, Julie Adams (billed as "Julia Adams"), Richard Denning, Antonio Moreno, Nestor Paiva, Whit Bissell, Ricou Browning (who played the Gill Man underwater), Ben Chapman (who played the Gill Man on land), and Bernie Gozier. Note that the inspiration for this movie began when William Alland (the producer of this movie) was playing an acting role in "Citizen Kane", and he learned of a myth about half-man half-fish creatures in the Amazon. He wrote notes for a story called "The Sea Monster" in 1951, combining the above myth with the "Beauty and the Beast" story. In December 1952, a 59-page treatment called "Black Lagoon" was written by Maurice Zimm and Leo Lieberman wrote a script based on that treatment in early 1953, but Universal turned it down. After this script was written, a new script was written by Arthur Ross and Harry Essex, and that was the script that was used for the movie as filmed, and the last great Universal monster was created! Finally, note that the wonderful creature costume was created by a woman named Milicent Patrick, who you probably never heard of, but she deserves to be well remembered. She was a top pianist as a young girl, and she graduated from high school at 14. She went to work for Disney as an artist in the animation department in the late 1940s, and she was the first female hired by Disney in that capacity. In 1954, she designed the classic creature costume used in this movie, but the head of the makeup department did all he could do to keep her from getting proper credit, and as a result, she left Universal. It is said that she also created some of the well known costumes in other Universal horror and sci-fi movies preceding this, but there is no clear record as to which ones (but some great monsters of this time, including the ones in "This Island Earth", seem to be unmistakably her design). She turned to acting, appearing in a few movies and on TV, but she pretty much vanished in the early 1960s. She passed away in 1998 at the age of 82. She certainly deserves massive credit for her contributions to this movie and other great 1950s monster movies, but that may never happen. NOTE: Click on linked names to see a biography. If you know who did the art (if any), please let us know. Important Added Info: Note that there is considerable confusion over who created the art for this poster. Some say it is by Reynold Brown and others say it is by Albert Kallis. If anyone has definitive evidence as to who created the art, please e-mail us and we will post it here. Note that all but 28 of the folded one-sheets in this Part I of eMoviePoster.com's December Major Auction were consigned to us by legendary French dealer/collector Dominique Besson. Dominique Besson started collecting movie posters in 1981, and became a dealer in French and European posters in 1994, and has remained as a top dealer ever since! But in addition, 30 years ago, Dominique began collecting U.S. one-sheets, first those with Saul Bass art, and then adding Alfred Hitchcock posters, then Humphrey Bogart, and he finally ended up collecting in an amazing total of 47 different categories, purchasing the posters from all over the world! Now the time has come to sell this wonderful collection, and Dominique has chosen eMoviePoster.com to do so, through our auctions! As noted above, all but 28 of the folded one-sheets in this Part I come from this more remarkable collection (the 28 that do not were consigned to us by other collectors, and are clearly marked). This is not all of the Dominique Besson collection we are auctioning. In addition, there are approximately 200 more folded one-sheets that will be in Part IV of this special auction (ones from the 1970s to present), and there are approximately 100 unfolded one-sheets that will be in Part III (including many great ones). This is a very rare opportunity to purchase folded one-sheets (all of which have had no professional restoration) from one of the greatest one-sheet collections assembled! Note that this one-sheet is from the category that Dominique Besson collected on that he labeled "Fantastic '50s to '60s" (1950s to 1960s horror/sci-fi). Condition: good to very good. There are many pairs of tiny staple holes around the edges (some slightly enlarged). There is paper loss in the right of the bottom blank border, affecting one number of the litho number, and there are a few small water stains in that part of the bottom blank border. The top 2" of the poster was folded back at one time. There is some light rippling scattered throughout the poster. There was a 3" vertical tear in the left and right of both the top and bottom horizontal folds and someone repaired those with small strips of conservation tape from the reverse. It is important to note that the colors on this poster are really nice! There was something about the red in the lips and the shirt at lower right that caused it to fade quite easily, and a large percentage of the one-sheets that have survived have had the red fade to some degree (and when they are backed, they are almost always "punched up", often without telling the new buyer. The red on this poster has not faded at all. I would think most collectors could happily display this poster just as it is, or certainly, any restorer could linenback the poster and touch up its tiny defects, after which it will display incredibly! Learn More about condition grades 
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